Monday, September 29, 2014

ESSAY #1

Hi-Fi vs Lo-Fi

     Murray Schafer uses a term to define his idea of hi-fi sound vs. lo-fi sound. The term is signal to noise ratio, which is apt for the context in which he distills this idea. In the audio world hi fi systems pump out extreme detail and clarity of the source material, due to a very high signal to noise ratio. A low signal to noise ratio would yield less clarity within an audio source and abstruse any meaning information within the source material. Schafer uses this signal to noise ratio in the context of nature and the soundscapes within an environment. He states in his work, The Rural Landscape, “The quiet ambiance of the hi-fi soundscape allows the listen to hear father into the distance just as the countryside exercises long-range viewing” and “In a lo-fi soundscape individual signals are obscured in an over dense population of sounds” (Schafer 43). I can recall a time when it was dead of night and I was swimming in Lake Michigan. The ripples of water drifting pass me were articulate and a slight breeze was easily heard. An unusual noise came to the forefront; it was a flapping noise, like a bird, but more frantic and decayed quicker. Once I was able to see briefly what was flying above me I realized it was bats, zooming back and forth across the lake water. This hi-fi soundscape was able to produce a rather quiet flap of a bat's wing into something very detailed audibly; it was quite fascinating and completely scary at the same time.


     Later on in Murray Schafer’s piece, The Rural Landscape, he identifies a sound mark memory from his childhood growing up on a farm of. He recalls listening to a hand pump churn cream into butter and noting, “an almost imperceptible change in tone and texture occurred as the slopping creamed gradually turned to butter” (Schafer 48). I grew up in a suburban community, which didn't create much of a distinctive soundscape, but what did was a sound mark of my youth growing into my teenage years of the howl of my pure Beagle hound dog. It was a distinctive howl, not deep, but rather a high-pitched croon, that of a young hound pup growing into its teenage years as I grew into mine. The bark reminds me now of youth gaining responsibility and becoming a person who is able to not just think of his self, but take care of and tend to another creature. Her name was Pepper and she brought me immense joy in my teenage years as a single child and gave purpose to my summer days home alone or late afternoons coming home from school. She was a wild thing and I would be wrong if I said I wasn’t just as wild as her and for that I am grateful for a wonderful childhood raising a hound dog in the suburbs.  



Cory R Gorman  |  Film 116  |  Fall 2014 UW-Milwaukee 

Tuesday, September 23, 2014

FOUND SOUND

If You're Feeling Sinister
runtime, 1 minute and 15 seconds

| aiff | wav |

Embarking on a journey to edit, manipulate, and make sense (somewhat) of pre sourced raw audio in an effort to create a dynamic mix as well as an engaging listening experience is no easy feat. As you can hear in the sound clip, the material is highly altered and anything but raw source recordings. At first there was an urge to create a literal soundscape within the context of the recordings, but as time progressed with the raw material, patterns emerged which I was compelled to elaborate on. Soon, time slowed down and became washed out, rhythmic patterns of breathing and ominous sounds came to the forefront. Once I found my favorite sounds it was time to build to a pulsating loud cathartic moment, then to fade out, just to be left with a final, isolated, small dying breath of a sound.

notes on the edit:






































Cory R Gorman  |  Film 116  |  Fall 2014 UW-Milwaukee