runtime, 1 minute and 15 seconds
| aiff | wav |
Embarking on a journey to edit, manipulate, and make sense (somewhat) of pre sourced raw audio in an effort to create a dynamic mix as well as an engaging listening experience is no easy feat. As you can hear in the sound clip, the material is highly altered and anything but raw source recordings. At first there was an urge to create a literal soundscape within the context of the recordings, but as time progressed with the raw material, patterns emerged which I was compelled to elaborate on. Soon, time slowed down and became washed out, rhythmic patterns of breathing and ominous sounds came to the forefront. Once I found my favorite sounds it was time to build to a pulsating loud cathartic moment, then to fade out, just to be left with a final, isolated, small dying breath of a sound.
notes on the edit:
| aiff | wav |
Embarking on a journey to edit, manipulate, and make sense (somewhat) of pre sourced raw audio in an effort to create a dynamic mix as well as an engaging listening experience is no easy feat. As you can hear in the sound clip, the material is highly altered and anything but raw source recordings. At first there was an urge to create a literal soundscape within the context of the recordings, but as time progressed with the raw material, patterns emerged which I was compelled to elaborate on. Soon, time slowed down and became washed out, rhythmic patterns of breathing and ominous sounds came to the forefront. Once I found my favorite sounds it was time to build to a pulsating loud cathartic moment, then to fade out, just to be left with a final, isolated, small dying breath of a sound.
notes on the edit:
Cory R Gorman | Film 116 | Fall 2014 UW-Milwaukee
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